LE: |
I’ve always seen you as one of the major artists that broke
gospel into the mainstream listening audience. How would
you qualify your contribution? |
KIRK: |
I see myself as a church dude. Just a regular young guy
that
loves God, and God on His own chose, for whatever reason, to
take music and put it in different environments. That was
not my attempt. My attempt was not to try to do that. I’m
just trying to be consistent with the path.
I struggle with it, you know. There are times that I forget
that it wasn’t my plan and it wasn’t my agenda – sometimes
you move in your own flesh to try to get over. |
LE: |
That’s just in life I guess. Anybody with a Christian or
any religious affiliation – a lot is expected. People
forget that believers are human too.
Do you feel challenged in trying
to portray innocence because America is hurting so much
right now? I feel like on this CD you were trying to
address that. |
KIRK: |
I wanted to address that but I didn’t feel challenged in
it. My approach is very honest. Even as an album gets out
and you kind of forget to listen – some people find me a
little wishy washy. The Rebirth album was a very
straightforward album and with this one, it’s an album that
God led me to do but for some people, it can be kind of
wishy washy.
Is it traditional, is it hip hop? Is he going to be
worshippy? And for me, I’m just trying to be me. I’m just
trying to be obedient to what God has for me to do and not
trying to do anything more than that. |
LE: |
Well, that’s the music industry as well – more so than the
consumer - that wants to put you into a category. Sometimes
it doesn’t matter, you’ve just got to let the music ‘be’.
The music industry is very driven by commercial gain – have
you felt those pressures and has it ever affected the music? |
KIRK: |
You can feel the pressure when I take my eyes off Christ and
when I put my eyes on to the world’s agenda. You can feel
that pressure but that’s a pressure that you put on
yourself. |
LE: |
Do you find anything exciting about the industry?
|
KIRK: |
Not the industry stuff, no. The music that’s from God is
wonderful but when you take something from the Creator
and you put it in front of the creation, which is
Man, the creation tries to validate it to see whether it’s
good or bad – that’s when everything gets contaminated and
real foggy. A lot of times we can be guilty of leaning to
what the creation is saying instead of resting on what the
Creator gave.
I find myself so guilty of that. Even with this record,
there were times I was guilty of that. Many days that I was
looking for Man to validate something that God gave. It’s
an unfair thing to ask God to give you something that’s
never been created and then we look for the applause of Man
to validate it. That’s not good. |
LE: |
Maybe that’s just part of it and I think that’s just how
we’re made. I think that there are tests along the way.
Even within believers, you get different approaches to
presenting the work – no matter how you look at it, you’ve
got to stay true to what He told you to do. |
KIRK: |
Amen! Speak sister! |
LE: |
I really loved this CD by the way. I really was touched by
quite a few of the tracks. You say that there’s a point
where you can see all of life’s successes and failures have
all been for a purpose. What are some of your defining
moments? |
KIRK: |
There’s never one defining moment – the creative process
evolves because it’s always evolving. There’s a dude in the
Bible named Paul and it’s all about how we’ve been
transformed from glory to glory – we’re going from one
season of growth to the other season of growth. Every
season there’s so many tremendous lessons.
Remember my wife and I have four kids. There’s not enough
paper in the world to write down all of the defining moments
as parents that we see in our children. Life is so full of
those types of lessons and those lessons are the ones that
we take to the studio when we sit down to the keyboards and
when we put the pen to paper. |
LE: |
Did you have a defining moment when it came to this project? |
KIRK: |
The defining moment for
Hero
for me, the one that I remember mostly is that those were
songs I was showing my wife. Just the creative process for
me too – it is the scariest, the most vulnerable project
because if you don’t say nothing, the people around are
looking at you like ‘what’s wrong fool?’.
You are very vulnerable to God to depend on Him to say
something. You’re asking Him to say something significant.
When I was working on the song ‘Imagine Me’, I called my
wife upstairs to listen to the skeleton of it. I was just
singing out that line and she looked at and she shook her
head, ‘You don’t get it but I guess you’re not supposed
to’. That was a very defining moment for me for this
project. |
LE: |
Would you say that the difference between this project and
other projects would be that you left yourself more
vulnerable to the message or to God? |
KIRK: |
Just more vulnerable. Here I am. For me, it’s always like
a naked place but I can admit that this time around, it was
a little more naked for me. There’s this needy
place.
The biggest concern is that you sit and ask God for
something that you look to Man to validate and that’s
wrong. So, because of that, if you go before God again,
will God still allow me to hear Him when He knows that I’m
going to be tempted? You know when your kid asks you for
the keys but every time they get the car, there’s a dent
somewhere. Do you keep giving them the keys? It’s always
that vulnerable place where ‘Is God going to give me the
keys?’ |
LE: |
Well I can really feel the message on this CD. In April
2006, you’ll be hosting the
Dove Awards,
Gospel music’s highest honour - what’s the most exciting
about hosting for you? |
KIRK: |
Well, it’s my first time hosting the Dove Awards – it’s
going to be real cool because I’m a champion and I want both
those communities to be one. |
LE: |
Are you touring at all with Hero? Will there be a Canadian
tour? |
KIRK: |
Not yet – probably not until February. I’d LOVE to come to
Canada. Yeah. |
LE: |
There’s a lot of people that I’m speaking for that would
love you to come to Canada. |
KIRK: |
Wow. Well then yes, I’ve got to come to Canada.
|
LE: |
What pieces of advice do you give someone who wants to
become a Gospel artist? |
KIRK: |
When you have the microphone, the microphone is a very
powerful thing and it’s very important you realize that
there’s a responsibility with the microphone – a
responsibility to say something very significant. Nobody
can make that decision. I would say to those that are
Christian artists, that is even more magnified because you
have to be willing to die – that you cannot allow the
vehicle to take the place of the vision. |
LE: |
Who are some of your influences? |
KIRK: |
My influences coming up were Stevie Wonder, Donny Hathaway
and even hip hop like Run DMC. It wasn’t until I trusted
Christ with my heart and became a born again Christian that
the influences of Christian music really began to resonate
in my heart. |
LE: |
You’ve got a unique brand of music with a global appeal.
What’s been one of the highlights of your career? |
KIRK: |
Being able to keep my family together while I still do it.
|
LE: |
If you could work with any artist (living or past), who
would they be? |
KIRK: |
I don’t know. I’ve been on tour with everybody from
Bono
to
Stevie Wonder
so I’m pretty good! |
LE: |
How does the gospel/Christian community embrace your
success? |
KIRK: |
I don’t know. I try very hard to be a servant to my
community, to be a light to my community, to win my
community with the vision of Christ, to be able to be
someone who can help and just pour love into them. That’s
how I try to be to my community. |
LE: |
What do you want people to remember you for? |
KIRK: |
That dude was real – he was a real dude. |
LE: |
What’s in your CD player right now? |
KIRK: |
I’ve got a rapper by the name of
The Truth,
a Christian dude, he’s hot and
Coldplay
and I’ve got some
Bob James,
some
Lalah Hathaway.
|
LE: |
Well, that about wraps it up. I wanted to wish you
condolences on the loss of
Gerald Wright,
your longtime manager and friend. |
KIRK: |
Thank you so much. |